General Discussion

Game development streams every Wednesday (unless otherwise mentioned on twitter)

Use the comments section under this post for general comments & discussion!
Twitch Stream:

  • All comments will eventually be visible, sometimes they might end up marked as spam by accident and I’ll have to retrieve them. Using the same username/e-mail combo makes commenting much more reliable and less prone to give false positives, so please do that :)
  • Weekly progress post #65: Cool Ghosts

    On today’s stream I worked a bit on Baba and a bit on ESA 2. A new room was added for the latter along with a new enemy and a new set of platforming obstacles. Not much, but the new enemy is pretty cool in my opinion. Right now I’m feeling fairly unsure about the art direction of ESA 2 (again) plus getting it done is seeming like a huge task (again), partially due to Baba taking so much of my attention. For Baba I implemented a new word which seemed to work pretty OK, although designing puzzles with said word could get too frustrating for the player pretty fast, as Mokesmoe kindly pointed out. I’ve been in the process of updating the game’s graphics to a higher resolution and that I updated a couple sprites during the stream as well, and finally a new level using the aforementioned new word got added. I was going to implement levels using a different word at first, but some bugs/inconsistencies turned up and I had to change plans.

    It’d be pretty cool to get Baba done this Summer; that doesn’t seem impossible although I should definitely polish it as much as possible before that (and I guess marketing-wise it’s already way too late for it :( )

    Weekly progress post #64: On

    In today’s stream things kept trucking forward; I polished a larger room I had started last time in ESA 2, added some new decorative tiles to the final area and implemented an elevator and some mildly story-related stuff that goes with said elevator. The final area still feels pretty empty and uninteresting and I should probably sit down and make some notes on how to make it feel more consistent and flow better, but the new tiles already helped a bunch. The area definitely needs more in terms of large, imposing enemies and interesting structures, it’s supposed to be (kinda) the final area, after all!

    In Baba I fixed bugs related to a new word and tried to implement a puzzle around said word although that didn’t go too well. There was some neat discussion and suggestions (mainly by Mokesmoe, thanks!) and working on Baba on-stream felt really nice as a result. I’ll have to start thinking of the game’s level structure soon because I’m already sitting on a whole bunch of levels and have some hopefully interesting ideas on how the progression of the game would go. The graphical design is still an issue although I have some concepts in my head that might work.

    Weekly progress post #63: Back to ESA 2, sort of

    Today I actually managed to concentrate on ESA 2 again, kinda! 2 new enemies and 2 new rooms were added, although the latter of the two enemies will definitely require some more work. The final area is extremely bare-bones -looking, but the contents are kinda starting to get there. I really want to figure out some puzzles to put there, though; it feels like ESA 2 has been sliding to the same pattern as ESA 1 in that it’s so much easier/faster to design platforming challenges & fights that puzzles become pretty much nonexistent. I’ve written a list of potential puzzle ideas but I keep forgetting to look at it + several of those ideas are still at least partially platforming-driven.

    Baba also got worked on because I really just can’t keep my hands off that project; I’m getting closer to 50 finished levels and I have ideas for more! I’ll just have to figure out where to take the game graphically and what I want to do with the general “style” of the game. What I have now is pretty nice in my opinion, but I feel that the game could really benefit from a more carefully-crafted visual/auditive design. We’ll see!! The game’s logic is also starting to get to pretty confusing levels due to the new words I’ve added, but hopefully that’ll be mostly a thing that allows for interesting puzzles rather than a problem to fix.

    Questions regarding platformer development

    I was asked these questions on Twitter and since Twitter is Twitter with its letter limits, I decided to import the questions here and answer them more elonquently:

    What are the key features a 2d platforming game should have?
    “2d platforming game” is a fairly abstract concept and defines only a very small part of a game’s design; there are 2D platformers that vary from each other greatly, and most of their defining features don’t stem from being 2D platformers but rather from other things. Technically I could try to find some defining features that 2D platformers should have that aren’t dependent on other factors, but the list of said features would be pretty limited. Let’s try:

    Things a 2D platformer needs to have:

    • A playable character
    • Sideways perspective
    • Obstacles that block your way or offer something to stand on
    • Gravity (although even this can be done without)

    There are also things that 2D platformers usually have, such as collectibles, goals, failure conditions, enemies, HP, lives, levels, environments etc., but with a strict definition none of them are required to call a game a “2D platformer”. (Note that the list of things 2D platformers need was just something I made up on the spot, I’m sure there are valid arguments to reduce even more things from it!)

    If someone were to learn game development via making a 2D platformer, I’d say that using something like Super Mario Bros. as a guideline on what’s expected from such a game could be the best way to go, because it contains all those strictly platformer-related concepts listed above, but also lots of handy learning opportunities in form of those other, less definitive but nonetheless handy things such as coins, score, level progression and losing.

    What’s the best art style for a side-scrolling platformer?
    This is a very subjective question! The definition of “best” definitely hinges a lot on both the budget and the personal taste of the developer. The game screen should be easily readable, i.e. it should be clear what is background and what is a wall, an interactable object etc., but there’s a huge amount of options to choose from in terms of unique artstyles that achieve that, and whether one of them is better than the others depends entirely on the opinion of the player/developer.

    I’m personally rather biased towards retro-style pixel art graphics with stretched pixels (see: Cave Story, Eternal Daughter, Maldita Castilla). It’s important to note, though, that even stretched-pixel pixel art doesn’t have to look retro (see: WitchWay, Fez, Hyper Light Drifter for a non-platformer example) and that non-stretched-pixel pixel art is definitely also an option and can be achievable by a smaller team (see: Within a Deep Forest, IJI). Outside of the realm of pixel art things require a bit more work pretty quickly which might not be worth it for a smaller team, but on the other hand the results can be sweet (see: Saira, Braid, LIMBO). Taking a nonstandard approach to the artstyle might also be a good option (see: An Untitled Story), so nothing’s really that clear. These are obviously just my own personal tastes!!

    If I were to suggest an artstyle for someone making their first 2D platformer or aiming to learn game development, I’d probably recommend something like the visual style of the NES Megaman games; stretched pixels, limited colour palette, very high readability, fairly easy to work on, tile-based background art to lessen workload and so on.

    What type of music would go well with a pixel art style?
    I don’t think I can really answer this properly. “Pixel art style” in itself is such a vague concept that depending on other factors pretty much any kind of music could go well with it. There are good examples of orchestral(-style) music (see: Owlboy, Titan Souls, Gods Will Be Watching), retro-style music (see: Cave Story, Spelunky classic, Shovel Knight), music with more modern instruments that I can’t think of a good category name for (see: Nuclear Throne, IJI) or minimalistic electronic music (see: Within A Deep Forest). Games like Undertale combine stuff from several musical styles very successfully, and some utilize existing music as their soundtracks (see: Space Funeral, Hotline Miami).

    Again, retro-style chiptunes might be the easiest way to go, but really the answer to this question is pretty much “anything”.

    EDIT: I actually haven’t played Owlboy and added it in because I checked that it has an orchestral soundtrack and pixel art graphics. I’m fairly certain that the musics fit the game but I implied too much up there. My apologies!

    Weekly progress post #62: Baba takes the show

    Lately I’ve been, unsurprisingly, really into working on Baba Is You, to the detriment of the progress on Snake Game and ESA 2. Today’s stream started with a new trap and a new type of moving platform being added to ESA along with a new room that showcases both, but soon afterwards I moved to Baba territory. Due to moving more things to lua lately Baba was in a somewhat buggy/crashy state but some really neat suggestions were thrown about and a bunch of bugs were fixed and features implemented, so that’s nice! I spent a bunch of time afterwards fixing said buggy/crashy behaviour in Baba, and apart from a couple more hairy issues things are looking pretty good! I’ll still have to figure out how exactly I’ll want to approach a “full” version of Baba, though.

    Nordic Game Jam 2017!

    (Cool photo & cool cake by my girlfriend, Anni :3)

    Nordic Game Jam 2017 was last weekend, and I ended up winning it with my game, Baba Is You!

    I went in not really expecting much; I wasn’t initially really in the mood for making new games so the plan was to kinda feel the situation and possibly just work on ESA 2 and/or Snake Game. The theme of the jam was “Not There”, and at some point it got me thinking about “not” as an operator in programming/logic. This in turn made me think of a puzzle game where the game logic is part of the game world, and eventually this idea turned into my entry. I was expecting to run to some really hairy coding problems and not be able to finish, but hey, that very much didn’t happen!


    I’m not totally sure where to take the game from here; during the event my plan was to polish it a bit and release it mostly as-is, but since people really liked it and it even raised some philosophical considerations in some players, I think I’ll be working on it further.

    Download the game on!


    In other news, Environmental Station Alpha’s second anniversary was also last weekend, and I almost completely forgot to announce the sale that went with that. Oh well! Let’s hope we won’t get to its 3rd anniversary before ESA 2 is done.

    Next up in the indie gamedev event schedule will be No More Sweden in June; we’ll see what happens there :O

    Weekly progress post #61: An end to farting

    Nordic Game Jam starts tomorrow! I really want to be able to show bits of ESA 2 and Snake Game there, so I spent today’s stream polishing some tiny bits of both. Thursday will be mostly quiet so I hope that I’ll be able to pull off some more polish in preparation for the actual event.

    In ESA 2 I finally updated the double jump effect as well as the hookshot’s graphical look. Not 100% sure about the latter because of how “lasery” it looks, it almost feels as if this new hookshot should be able to be used offensively. Nevertheless, it’s an improvement. I’ll try to add some polish to certain early-game areas as well so that I could show off the beginning of the game without feeling that it’s way too work-in-progress.

    In Snake Game I worked a bit on a cutscene/hub area that’ll be used for accessing the various encounters in the game. I needed to implement a ladder for said area, and to be honest the code for it is fairly hacky, but hopefully that won’t become a problem later on. I’ll try to get this area polished further before NGJ so that the player can somewhat seamlessly move from the main menu to the first encounter while learning controls on the way.

    Weekly progress post #60: Shadowbeasts!

    Today’s stream saw the addition of 1 new small room, beginnings of the tileset for the ~FINAL NON-OPTIONAL AREA~ and a new enemy for the previous area, seen above. The penultimate area is starting to feel pretty good apart from certain awkward room transitions, a missing bossfight and the general lack of background details that applies for almost the whole game at the moment. I’m going to have to spend a bunch of time decorating everything, eventually…

    I’ll also have to redo the in-game map soon! I think I’ve talked about this before, but it’s nevertheless something I’ve been hesitating with because the current system has some really obscure code going on and picking that apart will probably be less than enjoyable.

    Nordic Game Jam will be next week! I’m probably going and based on previous years it should be good fun. Not sure if I’ll get anything worthwhile done, though…

    Weekly progress post #59: Snake Game Stuff!

    Today’s stream was fairly short & uneventful; I added a new small room to ESA 2, fixed some bugs and started working on the transition to the next area. Surprisingly Snake Game saw more development; I implemented a system where the player can enter their name when starting a new game. The system ended up being really hacky which will probably cause trouble for me at some point, but at least it works.

    If the player can name the main character of a game, should they be able to add stuff like exclamation marks, numbers or dots to the name, or should the game force the name to be somewhat standard?